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it is Greek to me - Übersetzung nach spanisch
IDIOM FOR SOMETHING NOT UNDERSTANDABLE
That's Greek to me; It's Greek to me; All Greek; All Greek to me; It's all Greek to me
it is Greek to me
para mí es chino, como si fuera chino
take it from me
WIKIMEDIA DISAMBIGUATION PAGE
Take it from me; Take It From Me (disambiguation); Take It from Me (disambiguation); Take It From Me; Take It from Me (song); Take It from Me (film)
= tú hazme caso, te lo aseguro, no lo dudes, créeme
Ex: "Take it from me, elections matter," Gore said.
Ex: "Take it from me, elections matter," Gore said.
Greek mythology
![540 BC}}, [[British Museum]], London](https://commons.wikimedia.org/wiki/Special:FilePath/Achilles Penthesileia BM B209.jpg?width=200 "540 BC}}, [[British Museum]], London")
![Michelangelo Merisi da Caravaggio]], circa 1601–1602.](https://commons.wikimedia.org/wiki/Special:FilePath/Amor Vincet Omnia.jpg?width=200 "Michelangelo Merisi da Caravaggio]], circa 1601–1602.")
![Metis]], on the right, Eileithyia, the goddess of childbirth, assists, circa 550–525 BC ([[Musée du Louvre]], Paris)](https://commons.wikimedia.org/wiki/Special:FilePath/Amphora birth Athena Louvre F32.jpg?width=200 "Metis]], on the right, Eileithyia, the goddess of childbirth, assists, circa 550–525 BC ([[Musée du Louvre]], Paris)")
![Chimera]], central medallion of a [[Roman mosaic]] from [[Autun]], [[Musée Rolin]], 2nd to 3rd century AD](https://commons.wikimedia.org/wiki/Special:FilePath/Bellerophon riding Pegasus and killing the Chimera, Roman mosaic, the Rolin Museum in Autun, France, 2nd to 3rd century AD.jpg?width=200 "Chimera]], central medallion of a [[Roman mosaic]] from [[Autun]], [[Musée Rolin]], 2nd to 3rd century AD")
![[[Cicero]] saw himself as the defender of the established order, despite his personal skepticism concerning myth and his inclination towards more philosophical conceptions of divinity.](https://commons.wikimedia.org/wiki/Special:FilePath/CiceroBust.jpg?width=200 "[[Cicero]] saw himself as the defender of the established order, despite his personal skepticism concerning myth and his inclination towards more philosophical conceptions of divinity.")
![[[Dionysus]] with [[satyr]]s. Interior of a cup painted by the [[Brygos Painter]], [[Cabinet des Médailles]].](https://commons.wikimedia.org/wiki/Special:FilePath/Dionysos satyrs Cdm Paris 575.jpg?width=200 "[[Dionysus]] with [[satyr]]s. Interior of a cup painted by the [[Brygos Painter]], [[Cabinet des Médailles]].")
![[[Demeter]] and [[Metanira]] in a detail on an Apulian red-figure hydria, circa 340 BC ([[Altes Museum]], Berlin)](https://commons.wikimedia.org/wiki/Special:FilePath/Eleusinian hydria Antikensammlung Berlin 1984.46 n2.jpg?width=200 "[[Demeter]] and [[Metanira]] in a detail on an Apulian red-figure hydria, circa 340 BC ([[Altes Museum]], Berlin)")
![''El Juicio de Paris'']] by [[Enrique Simonet]], 1904. Paris is holding the golden apple on his right hand while surveying the goddesses in a calculative manner.](https://commons.wikimedia.org/wiki/Special:FilePath/Enrique Simonet - El Juicio de Paris - 1904.jpg?width=200 "''El Juicio de Paris'']] by [[Enrique Simonet]], 1904. Paris is holding the golden apple on his right hand while surveying the goddesses in a calculative manner.")
![[[Heracles]] with his baby [[Telephus]] ([[Louvre Museum]], Paris)](https://commons.wikimedia.org/wiki/Special:FilePath/Herakles and Telephos Louvre MR219.jpg?width=200 "[[Heracles]] with his baby [[Telephus]] ([[Louvre Museum]], Paris)")
![''[[The Lament for Icarus]]'' (1898) by [[Herbert James Draper]]](https://commons.wikimedia.org/wiki/Special:FilePath/Herbert Draper - The Lament for Icarus - Google Art Project.jpg?width=200 "''[[The Lament for Icarus]]'' (1898) by [[Herbert James Draper]]")
![copy of the lost original by Michelangelo]].](https://commons.wikimedia.org/wiki/Special:FilePath/Leda - after Michelangelo Buonarroti.jpg?width=200 "copy of the lost original by Michelangelo]].")
![Apollo (early Imperial Roman copy of a fourth-century Greek original, [[Louvre]] Museum)](https://commons.wikimedia.org/wiki/Special:FilePath/Lycian Apollo Louvre left.jpg?width=200 "Apollo (early Imperial Roman copy of a fourth-century Greek original, [[Louvre]] Museum)")
![[[Max Müller]] is regarded as one of the founders of comparative mythology. In his ''Comparative Mythology'' (1867) Müller analysed the "disturbing" similarity between the mythologies of "savage races" with those of the early Europeans.](https://commons.wikimedia.org/wiki/Special:FilePath/Max Muller.jpg?width=200 "[[Max Müller]] is regarded as one of the founders of comparative mythology. In his ''Comparative Mythology'' (1867) Müller analysed the \"disturbing\" similarity between the mythologies of \"savage races\" with those of the early Europeans.")
![Plato in [[Raphael]]'s ''[[The School of Athens]]''](https://commons.wikimedia.org/wiki/Special:FilePath/Plato-raphael.jpg?width=200 "Plato in [[Raphael]]'s ''[[The School of Athens]]''")
![Prometheus Unbound]]'', and ''[[Prometheus Pyrphoros]]''.](https://commons.wikimedia.org/wiki/Special:FilePath/Prometheus by Gustave Moreau.jpg?width=200 "Prometheus Unbound]]'', and ''[[Prometheus Pyrphoros]]''.")
![The Roman poet [[Virgil]], here depicted in the fifth-century manuscript, the ''[[Vergilius Romanus]]'', preserved details of Greek mythology in many of his writings.](https://commons.wikimedia.org/wiki/Special:FilePath/RomanVirgilFolio014rVergilPortrait.jpg?width=200 "The Roman poet [[Virgil]], here depicted in the fifth-century manuscript, the ''[[Vergilius Romanus]]'', preserved details of Greek mythology in many of his writings.")
![Antiquity]]—is often said to epitomize for modern viewers the spirit of the Renaissance.<ref name="Br" />](https://commons.wikimedia.org/wiki/Special:FilePath/Sandro Botticelli - La nascita di Venere - Google Art Project - edited.jpg?width=200 "Antiquity]]—is often said to epitomize for modern viewers the spirit of the Renaissance.<ref name=\"Br\" />")
![In ''The Rage of Achilles'' by [[Giovanni Battista Tiepolo]] (1757, Fresco, 300 x 300 cm, Villa Valmarana, [[Vicenza]]) [[Achilles]] is outraged that [[Agamemnon]] would threaten to seize his warprize, [[Briseis]], and he draws his sword to kill Agamemnon. The sudden appearance of the goddess Athena, who, in this fresco, has grabbed Achilles by the hair, prevents the act of violence.](https://commons.wikimedia.org/wiki/Special:FilePath/The Rage of Achilles by Giovanni Battista Tiepolo.jpeg?width=200 "In ''The Rage of Achilles'' by [[Giovanni Battista Tiepolo]] (1757, Fresco, 300 x 300 cm, Villa Valmarana, [[Vicenza]]) [[Achilles]] is outraged that [[Agamemnon]] would threaten to seize his warprize, [[Briseis]], and he draws his sword to kill Agamemnon. The sudden appearance of the goddess Athena, who, in this fresco, has grabbed Achilles by the hair, prevents the act of violence.")
MYTHS OF ANCIENT GREECE
GreekMythology; Greek Goddess; Greek myth; Greek mythological; Greek legend; Ancient greek deities; Olympic god; Greek pantheon; Greek Myth; Greek mythologgy; Greek god goddess; Greek Pantheon; Greek Early Beliefs; Early Greek Beliefs; Homeric gods; The greek pantheon; Greek Mythology heroes; Greek mythology gods; Ancient Greek mythology; The stories of the Greek religion; Greek Mythology; Mythology of ancient Greece; Story of Greek Mythology; Archaeology and Greek mythology; Greek mythology history; Greek Gods and Goddesses of Greek mythology; Greek myths and legends; Greek legends; Greek myths; Ancient Greek Mythology; Ancient Greece Mythology; Mythology of Greece; Greek mythos; Mythology of Cyprus; Legends from greece; Nikostratos Greco-Roman Warrior; Draft:Greek Mythology; Ancient Greek myth; Greek mythological tradition; Ελληνική μυθολογία
mitología griega
Definition
me
Dativo o acusativo del pronombre personal de primera persona en género masculino y femenino y número singular. Es siempre átono. No admite preposición y se puede usar pospuesto al verbo, como enclítico, cuando este es infinitivo, imperativo o gerundio.
Wikipedia
Greek to me
That's Greek to me or it's (all) Greek to me is an idiom in English referring to an expression that is difficult to understand for the sayer. It is commonly a complex or imprecise verbal or written expression or diagram, often containing excessive use of jargon, dialect, mathematics, science, or symbols.
Although to some it may seem an insult, the metaphor simply refers to the Greek language (either ancient or modern) as typifying foreign communication, written or spoken, and may be a dead metaphor, one that has lost its original understood meaning.
